To recap, then, for the thirteenth time (unlucky for some…)!
What a complete and utter hodgepodge the last thirty #1 singles have been. Last time round, glam had given way to disco, which has now given way to… mayhem! 1975, perched right in the middle of this recap, has to be the most eclectic year for chart-topping singles yet. Possibly ever.
We’ve had two sticks of bubble-gum from The Bay City Rollers – one that was quite fruity, one that lost its flavour within a minute – and the band that briefly contended for their teenybopper crown, Slik. Plus some pure Eurovision cheese from Brotherhood of Man.
Not once, not twice, but thrice we’ve had people better known for their TV work hitting the top spot. Telly Savalas growled his way into our hearts on ‘If’, Don Estelle and Windsor Davies came at us in character, as WWII soldiers in Burma, from their hit sitcom. And comedian Billy Connolly turned Tammy Wynette’s ‘D.I.V.O.R.C.E.’ into a shaggy dog tale. You really had to have been there, I guess.
Speaking of Tammy, she had already gotten there under her own steam, out of nowhere, with a re-release of ‘Stand By Your Man’. And that wasn’t the only sixties re-issue to hit the top: we finally met David Bowie, in the guise of Major Tom, as his 1969 debut hit ‘Space Oddity’ re-peaked, and did what none of his seventies classics could do.
And Bowie wasn’t the only chart legend to make their first appearance on this countdown. Queen stormed to the top at the end of ’75 with the unmistakeable ‘Bohemian Rhapsody’, which took residence in pole position for longer than any other record had in the previous two decades. The fact that these two innovative and most highly-regarded of #1s were prevented from replacing one another by a Glaswegian comedian singing about his dug pretty much sums up this bonkers era.
Then there was the one and only chart-topper from the one and only Status Quo: ‘Down Down’ was the first, and the hardest rocking (except for those 30 seconds of Bo Rap), #1 of the new year. And if that wasn’t enough fun and games, we ended last time out on The Wurzels, singing about their ‘Combine Harvester’, and jigging round an ‘aybale.
Still, through it all ran a sturdy backbone of disco and soul. Barry White kicked us off, then The Tymes, The Stylistics, The Four Seasons and Tina Charles all took us for a shimmy under the disco ball. It is still the sound of the era; it just had to fight to be heard amongst all the wackiness.
And what of glam, the sound that was on its last breath when we paused for the previous recap? Well, there were still flashes. Mud, the band with the best #1 last time, scraped the barrel with their OK-ish Elvis tribute for Christmas, and their pretty dire Buddy Holly cover. Meanwhile Pilot, Steve Harley and the aforementioned Slik took elements of glam, and incorporated them into more middle of the road rock singles.
So, it kind of sounds like it’s been a bit of a free-for-all: command of the charts offered up for grabs to the act that grabs the public’s imagination in any given week. But, slowly and effortlessly, one band has begun to position themselves for world domination. ABBA kicked off 1976 with their signature tune ‘Mamma Mia’, then followed it up with campfire singalong ‘Fernando’. It’ll come as no surprise when I tell you that the next couple of recaps will be very ABBA-heavy. And bring it on, I say!
To the awards, then. Three of which I found very easy to dish out. Starting with the WTAF Award for being memorable if nothing else… Where to start? There have been so many novelties, so many curios, this time out that would have walked away with the trophy at any other point. Typically Tropical took us to Barbados, Don and Windsor to the Far East, The Wurzels to deepest Somerset… But one man still stands out. One shiny-headed, cigar-chewing, gold-shirted Adonis. Telly Savalas takes the prize, without actually singing a note!
The ‘Meh’ Award is similarly easy to dish out, as there have been very few dull moments this time around. Pilot’s ‘January’ was functional pop-rock, The Bay City Rollers cooed and sighed their way through ‘Give a Little Love’… But the record that sparked the least interest in me – good or bad – was Art Garfunkel’s perfectly pleasant, glossy reworking of ‘I Only Have Eyes For You’.
To The Very Worst Chart-Topper, then, of the past thirty. There were a lot of questionable moments but, to be honest, this is no contest whatsoever. J. J. Barrie’s ‘No Charge’ was not just the worst of the past bunch; it might well be the worst of our 390 #1s so far. I hated it that much. Release a novelty all you want: make it cheesy, make it catchy, make it in your face, make it brazenly offensive… Just don’t make it so earnest and saccharine that I want to rip my ears off and pour molten lava down the holes.
Now for the tough bit. Our thirteenth Very Best Chart-Topper. I have a shortlist of five. Two are chosen by my head; two chosen by my heart. One straddles the divide. The two I feel I should include, because they are spectacular pieces of music well-loved to this day, are 10cc’s ‘I’m Not In Love’ and Queen’s ‘Bohemian Rhapsody’. But… going with your head is dull. The heart must lead the way. My heart says ‘You’re the First, The Last, My Everything’ and ‘Can’t Give You Anything (But My Love)’, for being brilliantly catchy and very of the moment. If I want a disco winner, I’m sorted… Then there’s the other one. Bowie.
I feel he should win; objectively speaking it’s the best song. And, let’s be honest, this is his best chance. Bowie’s four remaining #1s are not as good, and probably won’t be in the running when it comes to their respective recaps. But! I don’t want to think like that – I want my recaps to be based solely on the thirty #1s within… Which adds another layer: ‘Space Oddity’ is a song from 1969. It is great; but it’s out of place. The chronology will be messed up! (I passed over Jimi Hendrix for similar reasons…)
Ugh. OK. I either award it to the best song; or I keep things chronological. And at the end of the day it should come down to the music alone. ‘Space Oddity’ takes it. Ground Control to Major Tom… you’re a winner, baby!
To recap the recaps…
The ‘Meh’ Award for Forgettability:
- ‘Hold My Hand’, by Don Cornell.
- ‘It’s Almost Tomorrow’, by The Dream Weavers.
- ‘On the Street Where You Live’, by Vic Damone.
- ‘Why’, by Anthony Newley.
- ‘The Next Time’ / ‘Bachelor Boy’, by Cliff Richard & The Shadows.
- ‘Juliet’, by The Four Pennies.
- ‘The Carnival Is Over’, by The Seekers.
- ‘Silence Is Golden’, by The Tremeloes.
- ‘I Pretend’, by Des O’Connor.
- ‘Woodstock’, by Matthews’ Southern Comfort.
- ‘How Can I Be Sure’, by David Cassidy.
- ‘Annie’s Song’, by John Denver.
- ‘I Only Have Eyes For You’, by Art Garfunkel.
The ‘WTAF’ Award for Being Interesting if Nothing Else:
- ‘I See the Moon’, by The Stargazers.
- ‘Lay Down Your Arms’, by Anne Shelton.
- ‘Hoots Mon’, by Lord Rockingham’s XI.
- ‘You’re Driving Me Crazy’, by The Temperance Seven.
- ‘Nut Rocker’, by B. Bumble & The Stingers.
- ‘You’ll Never Walk Alone’, by Gerry & The Pacemakers.
- ‘Little Red Rooster’, by The Rolling Stones.
- ‘Puppet on a String’, by Sandie Shaw.
- ‘Fire’, by The Crazy World of Arthur Brown.
- ‘In the Year 2525 (Exordium and Terminus)’, by Zager & Evans.
- ‘Amazing Grace’, The Pipes & Drums & Military Band of the Royal Scots Dragoon Guard.
- ‘Kung Fu Fighting’, by Carl Douglas.
- ‘If’, by Telly Savalas.
The Very Worst Chart-Toppers:
- ‘Cara Mia’, by David Whitfield with Mantovani & His Orchestra.
- ‘The Man From Laramie’, by Jimmy Young.
- ‘Roulette’, by Russ Conway.
- ‘Wooden Heart’, by Elvis Presley.
- ‘Lovesick Blues’, by Frank Ifield.
- ‘Diane’, by The Bachelors.
- ‘The Minute You’re Gone’, by Cliff Richard.
- ‘Release Me’, by Engelbert Humperdinck.
- ‘Lily the Pink’, by The Scaffold.
- ‘All Kinds of Everything’, by Dana.
- ‘The Twelfth of Never’, by Donny Osmond.
- ‘The Streak’, by Ray Stevens.
- ‘No Charge’, by J. J. Barrie
The Very Best Chart-Toppers:
- ‘Such a Night’, by Johnnie Ray.
- ‘Cherry Pink and Apple Blossom White’, by Perez ‘Prez’ Prado & His Orchestra.
- ‘Great Balls of Fire’, by Jerry Lee Lewis.
- ‘Cathy’s Clown’, by The Everly Brothers.
- ‘Telstar’, by The Tornadoes.
- ‘She Loves You’ by The Beatles.
- ‘(I Can’t Get No) Satisfaction’, by The Rolling Stones.
- ‘A Whiter Shade of Pale’, by Procol Harum.
- ‘I Heard It Through the Grapevine’, by Marvin Gaye.
- ‘Baby Jump’, by Mungo Jerry.
- ‘Metal Guru’, by T. Rex.
- ‘Tiger Feet’, by Mud.
- ‘Space Oddity’, by David Bowie.